

The cut-away of the coat panel looks like Miro.

Degrade silk? Whatever it is, it's perfect.
Again, the asymmetrical, curved lapel. Francisco Costa is a genius.
The constructed ripples in the fabric of these dresses remind me of the work of artist Eno Henze (who I posted about recently). I can't think of anything, in my mind, more aesthetically pleasing. That effect gets me more than anything else.
Do you need a closer look? So did I. In my hypothetical dream-like situation, I'm saving for these boots:



If fashion has a language*, Francisco Costa is its most articulate speaker, translating brilliance into buckles, seams, and panels.
*Errr, fashion does have a language. But with the exception of the extremely gifted Cathy Horyn, it does not meander far from "heaven," "I die," "beyond," "ew," "heinous," and "bananas."

YES, honey! The Miro! How observant.
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